The one that happens after you’ve filled three others but haven’t quite reached the ending yet. I suppose a page four is a good sign, at least a couple miles behind you, you’ve gained some traction, moving along. A page is for boot prints to dent and backsides to rest on and when you’re finally ready to stick around, plant some seeds in, you’ve been turning it over all these years, may as well withdrawal a little from the soil before you pay it back everything.
What is page four, except for a bridge between a mountain and a bigger mountain. A hook set in the lip of the cockeyed metal strong fish. Page four is the maturation of an opening, it’s Braxton Hicks contractions, the precursor to some heavier cursing soon to come. A page is for eyes to do what feet are for and explore a place tethered only to the limits of their own imagination. A series of pages got me through some dreary nights where I’d do sad things like light a candle and let the wax spill and cool onto the table, a dab or two on the wrist, for validation. I can see the oily residue off the wax on pages of my childhood journal, and I know exactly where I began to become a teenager. I have pages recycled from the backs of church bulletins, like monopoly money pastel blue and yellow and ruffled meaninglessly as they are. Fragmented what some would call poetry and sermon critiques, only the most scathing and adolescently conniving would be shared with my dad, the pastor. For him a page was for emptying out a Saturday night that might fulfill the expectations of hundreds for a solid Sunday morning, more dependent on timing, but still, an audience is an audience, and a stage is a stage. The model for the pulpit, and certainly the source of the choir. What is a page for, except for actors to wage wars they’ve never witnessed and fall in loves they’ve never felt.
What page four and the pages before are is the shaft of an arrow laid against the knuckle of the archer, prepared to spring forward, regardless of the destination, what happens on page four is blind force. The thwang. The slap against the archer’s wrist. May as well be page twenty four, for how time bounds once a half decent piece of writing has dug it’s hook in, bridged that difference between big and little mountains, between clean pages and ones with muddy foot prints all over them.
A page is for contamination. Perhaps the one place still safe to betray the tenants of socially imposed distance. Page four is where the wheels lift off, and the wings sit their full weight down on the airy substance of imagination. The tremor before the birth. A ring around the moon. Page four of a story is like a superstition, fed more on fear than by belief.
That’s what a page is for. For getting to page four.