The Good Stuff

How to describe that two tone throat singing lawnmowers do in the distance. But with extra meaning like mayonnaise making bread more sliced pudding. Depth. Sodium. Electrolytes, and heart. The thick simmering fat that feeds muscle. The doorholders. The gatekeepers. Who wedge a toe against aluminum and glass and let nutrients pass into cells. Without which, we starve, no matter how much we’ve eaten. How to describe a kid cutting grass down the road like that. I’m not writing the protein of it, it’s implicit. The meat can be heard for miles, and sound is as physical as burning gas against steel pistons smudged black, the poet isn’t concerned with that. But where is the fat. The salt. The gatekeeper. A skyscraper of sensory experience. Only no front door key. No poetry.

A young man in a backwards flat billed ball cap and shorts rested in a zero degree turning thrown leaned a little forward with his hands up like he was holding the rope, standing on water skis. The sound of it is textured bouncing between a direct arrow shot and a tree muddled echo. Never seen him before. Normally an old man in a clean red hat does that job with the absolute best riding mower money could buy in the eighties. Someone’s getting older. And everybody needs money, but not everybody has a zero point mower. The clouds are a heavy cotton backwards hat pulled low with the sun embroidered on the forehead like the logo of a sports team. The low, steady sound of the machine mirrors the buzz of bodily function and blood movement going on inside all the time. Until he clacks against quartz rock like a helicopter flying into a giant plate glass window. The day is dented. Chipped. Returns the engine, and blood starts flowing again.

How do you describe common experiences in ways that allude to their interconnection with the whole of the universe, along with some music, some fat, and salt, the good stuff, that carries the okay stuff into the cellular stuff, unblocked rotating doors and up on the forty seventh floor of the otherwise bolted closed skyscraper inside every single cellular structure. Over the blackened hearth of the microscopic fireplace that singes and smolders and captures the heat off burning calories and disseminates it throughout the house. And you don’t. You don’t describe what you hear and see with any lilt or goal or intent. You recognize. You translate. You interpret. Because the connections are already there, as real as the sources of sounds that are never seen. Air is a physical thing. Sounds are tangible as layered ripples in otherwise flat water. You’re not a poet for recognizing it. You’re honest. You’re like me. You want the rarer world.

With the fat still on it.

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