Why would you want a fancy prince when you already have a fearsome beast? You have the girl and the castle and servants all immortal, all entrapped within their service. What makes it a fable is the imaginary assumption anyone would try to fix the curse. Beauty and the Beast is a patriarchal vision. The whole thing starts with a kidnapping of an accidental trespasser who is then locked in a personal dungeon. Then, leveraging the old man for his young intelligent daughter. What is a redemption arc when it becomes twisted? Perhaps more of a redemption roller coaster with no resolution at the bottom, just little boys begging for another ride who will soon be carried to the car in tears for answering their parents’ fears.
Without a harrowing repentance, there can be no redemption. The greatest fiction is that a man turned beast at this point in his authentically cursed existence, is capable of innocent, consensual, passive and pacifistic love. To what gain? His cruelty to women is what birthed in him unimaginable magical power and prowess. He lives in a little boy’s paradise. In a world where our choices surrounding love will one day turn us all into monsters. Some unfortunate little girl dreams she’ll scheme to change the theme and turn the beast.
Like a Jekkyll and Hyde in reverse. Super human ability born of a curse. The tragic hero with the power to make the changes the world needs, but a slave to the sacrifices that power demands.
Beauty and the Beast could be a cautionary tale for father in laws, maybe, a fantasy for beast-taming bookworms, perhaps. But for little boys it is all about the beast. The ability to fight off wolves in the night. How those sharper claws don’t ever fully retract.
How having the power to protect also endangers the ones we love.