An Arguable Truth

Broken Pieces — Writer Actor Farmer

You want to know my secret. You could ask my sister. I remember one night, she had graciously invited me to venture out into the world with her friends. In the car on the way out of town, we were passing a cemetery, and I looked over and said that graveyard is full of people […]

Broken Pieces — Writer Actor Farmer

Farm Stuff

Farm stuff. Alarm hush. Like getting dumped. You wake up when it goes off.
Takes the truck. Take your stuff. All that’s left is chores. Yours. You are a prison guard.
You run a farm. Animals in cages that would kill them if you didn’t come around to all the
empty buckets to refill them. Take the egg. Leave the grain. Milk the goat. Her pleasure’s your pain. Hands hurt. Back’s worse. Hip we still we ignore. Not to mention the tooth. And the glue-stapled boots. Bubble poots. Coffee with two scoops. Pantries to loot. So dark out the owls still hoot. The roosters start at four twenty five reminding the neighbors they’re still alive. Goats go up pasture as soon as they see their feet more so than eyes will lead them to feed and when they grow tired they’ll lie down in breakfast basking in ten thirty sunshine and moaning cud across their tongues. The autumn leaves will make love to the soil and infect it with worms. The grass is already whispering where they once screamed green. The chorus has changed masks, the trees are dressed in tragedy.
And the sky has layers like spoiled milk.

All that farm stuff. Telling yourself, if you run it well enough, the prisoners will forget what you are. And you too, hopefully. How hopelessly alone you are. When the alarm clock you’re married to gets up the nerve to go off.

Stones in Hand

Sticks and stones can break your bones. And words.
Well. That’s why we invented them in the first place.
Language was a splint we strapped tight against our shin,
because sometimes you have to be hobbled before you can be fixed.
And words. Well. They started outpouring once we induced vomiting with them.
Talking tears in the eyes dry heaves and moaning.
Language. Communication. Grammar. Literature. Exposition. Creation.
We made up our own emotional placebo.
Words. Like medicine. Evolved by means of so much misunderstanding,
misguided, miscommunication. Medieval poets placing leeches
on feverous people and selling them absolutions for their souls.

The language was basic. Primeval. To us, most times, looked evil.
Everything absent context typically does.
We just don’t see life clearly until we’re clinging to it dearly.
And words let us do that. On our own time and not the world’s.
We think. Plan ahead. Wrack our minds. Break our legs.
So that when they come for us. Sticks and stones in hand.
We’ll say your words can no longer hurt me.
Anymore than I already have.

I believe they call that revelation.

The problem with Narcissus was he couldn’t lift up his stream and carry it around with him in his pocket like we can. Self-awareness is not the same as self-perception. Unfortunately. Philosophically, we’re four generations all living at the same time struggling with the same disadvantage: disadvantage. When it comes to witnessing one’s self, all of us come blind.

I had this idea recently, I think it’s related, that it is not a third eye, but the second mouth which lives in our minds, and all senses feed. I had this idea when I was thinking about the nature of an eyeball. A receptacle, a trash can filled with recycling. Receiving, not really creating. And that’s a poor analogy for consciousness. Considering how much reality imagination is responsible for making. A mouth breathes, in and out, and that you behind the you is not just pulling strings but also reaching out and tying them to things, maybe it should be called the third hand.
See. See how hard it is to see yourself clearly.

To talk about how it feels to feel and make up perfectly parallel analogies. We have no control. No comparison for an ideal life. The one human who did it right. Sure enough, many have tried. Problem is, they said they wouldn’t, but they really did just up and die. Our great philosophers filled our heads with what ifs and wait and sees, and almost none of them fought to hold on to life in the breakneck manner which was passed down to you and me. They left their model incomplete. They never warned us the third eye speaks. And that it isn’t an eye. It’s a disgusting sloppy pair of lips we shove stuff in to spit stuff out and swallow hard and peel back and shout.

It took cameras cheap enough to fit into a commoner’s pocket to show us who we are. And we’re hypnotized, by all the things the storytellers of our society never wrote down. We’re demanding of ourselves to be some new creature because we have never seen us before, even though the latter can true while the former remains demonstrably false. Nothing new in the last fifteen thousand years for Man. Learning something new about yourself isn’t really news.

I believe they call that revelation.

Some I miss. Some I don’t.

Writer Actor Farmer

Some work I miss. Some I don’t. I miss dragging up, sawing through and splitting stumps to pieces with my friend Ken all day, though I don’t miss twenty feet up a ladder leaned on a wobbly oak limb with a gurgling chainsaw. The work melted time. It hurled the sun up and over head. I remember, I can always tell three o clock sun. I could see it on his face we’d be finished soon. 

I miss all the dogs. The big finicky Shepherds and dough eyed boxers and hear them screaming down the hall huskies. Giving one a bath was my first real test at the vet. She did great. They were surprised. I wasn’t. Which is probably why, our blue eyes were locked and I ran water over her for more than five minutes before a bit began to stick to that thick, greyscale coat. The old…

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The Hive (part 4 – conclusion)

It’s not complicated. It’s philosophy. It’s storytelling. We’re telling and teaching a bad story under the apologetic guise of clunky, who-really-knows truth. If you don’t just say no to an idea that unsettles a few other stones in the foundation, I can tell you the real story. But if you say no, you can go to the garden, seed for yourself. You’ll find the universe there. And it will show you the way it wants to be treated. 

To make a long story short, you’ll see your true nature like looking at your face in a clear mirror. We are not aliens. We are not demi-gods. If there were a bee, looking for ideas, collecting memories instead of honey, little globs of sticky pollen thoughts clinging the folded ridges of the pink fatty hive in our minds, the honeycombed shape of our brains, that is who we are.

We figured out cities from eating termites. Carpentry from them and even maggots, family from the wolves. We’re not warriors. We’re peace-finders, benefactors, between creatures who never ever shared anything before us. I’ve seen the lamb lie down beside the wolf. Literally. I’m not saying it was easy. But that’s our superpower. Our gravity. We call it learning, or thinking, or imagination maybe.

But really we’ve just spent the last fifteen thousand years filling up the hive.

The Hive (part 3)

If feelings were meant to be taken at face value and blindly obeyed, you’d smash your alarm clock every morning. Our brains believe they know better than us. They stack a lot of negative feelings for emphasis that we call flaws and distractions. Feelings are just feelings and are in no way indicators of a very real, very invisible early warning indicator system that made our ancestors make us dream they had to have been superheroes or demi-Gods to have lived the way they did.

How they manipulated and bridled the human spirit. Once belonging to scattered bands of warring children, well, they basically got people to live like ants. Cities, anthills, we were eating lots of termites at the time, I’m guessing we became inspired. From that point there are a series of emergent outcomes no one planned, came about completely naturally organically as an offshoot, or a side-effect, of an organism changing natures, habitats, choosing how we want to live even as nature tells us no in a hundred different forms. The worst of which are fast approaching.

The answer is simple. What temperature melts the metal? How hot and what shape was the furnace that first made Mankind? And as we build and re-imagine and reinvent modern ways of life, we must keep an element of that heat, some basic fundamental aspect of our education has to preserve the environments that shaped these instincts into intellect. We can go so far, as far as our dreams, but not like a transplant, not like a microscopic seed, an explorer in the wind, our very particular survival mechanism is shaped like a vine. That vine is community, and there is no frontier steep enough to separate us from every person who ever loved or maybe even only tolerated us. There are no such things as humans without relationships.

Time isn’t on a clock.
It’s in our veins.
When we look at ourselves, we are looking at about fifteen thousand years.
When we discuss life, we’re talking at least a billion.

The Hive (part 2)

You’ll argue as long as you can. We’ll put it to bed. Maybe in a year you’ll say, I was thinking about that thing you said way back again, you’ll ask me what I meant. And I’ll be a year ahead, no longer questioning, practicing philosophy all of my own, which advises me heavily against teaching people who they are. No. I can work with why. How. I can work with not today, tomorrow maybe. But no. You confessed every reaction to a new situation or life change you’ve ever had before was no. Rather take it slow. Prefer to accommodate this stiff lactic acid choked emotion that hardens the stomach into cartilage and makes perfectly mobile situations sit stagnate and static and cold to the touch but hot like acid. I can’t help. To you, I can’t be shepherd or farmer or friend. To you, child of doubt, progeny of woe, I am no more than a sign post. I can point you to where I found God spying on me, I can tell you what it took to finally see what it is my eyes and ears and mind and fears feed. I found the fractal that gave me the shape of the birthmother of this place. I have seen what we were before. The ghost white pearl in a swirling cape of blackness, gravity radiating like energy, a pull that outreaches, a proactive desire, a cosmic pairing of opposites like the very first lovers weren’t necessarily more complex than dark and bright. But from their union all forms grew possible. I’m a piece of wood nailed to a stake that only says to you, ‘The Garden is This Way’.

The Hive (part 1)

Even when our institutions fail to, our brains prioritize feelings over truth. Your least trusting organ lies to you. All the time. About time. Impossible to find. But I could tell you something demonstrable, something that scarred my hands and blurred my vision and changed my entire way of thinking, and you’ll argue against it, tell me no, refuse to tell me why, because of a feeling in your mind. I’ve seen it too. I’ve witnessed the boulder I built my house on wiggle. When it wasn’t supposed to. I’ve reintroduced you to a problem you not only passed by or denied but went ahead and stacked hundreds of other answers on top of.

You’re like a bird sitting on a clothesline drying out an anvil.

As the rooster calls

Cracks like a bullet hitting air but tumbles
like a football kicked too hard in the head
ripples like a river of glass
crashes like a sunset
into angry ocean.

Fifteen birds sing their songs before roosters
ever crow, yet he owns morning. Prematurely.
Announcing dawn. How you can almost glimpse his tail
in his morning call. His arrow head and jiggly crown
and dripping blood beard. What once cut wind
now beats chests like mad children, wings folded, tucked
voice framed in feather soft quiet of early dying night.
He tries, fails, routes his troop of torn up vocal chords
and evens the score again
until his final crashing crescendo
settles like a boot in gravel.

The sound is stickier than a tree.
Hornier than wild goats.
Ten hens are up already
four eggs in the nest
at four in the morning
so he isn’t anyone’s wake up call.

Roosters don’t sleep eight hour nights.
He knows every shade of filtered light.
Watching the horizon hours already.
Blinking steady, multiple takes, like in a movie
set where the sun is about to be peeled
open like an orange.