The Good Stuff

How to describe that two tone throat singing lawnmowers do in the distance. But with extra meaning like mayonnaise making bread more sliced pudding. Depth. Sodium. Electrolytes, and heart. The thick simmering fat that feeds muscle. The doorholders. The gatekeepers. Who wedge a toe against aluminum and glass and let nutrients pass into cells. Without which, we starve, no matter how much we’ve eaten. How to describe a kid cutting grass down the road like that. I’m not writing the protein of it, it’s implicit. The meat can be heard for miles, and sound is as physical as burning gas against steel pistons smudged black, the poet isn’t concerned with that. But where is the fat. The salt. The gatekeeper. A skyscraper of sensory experience. Only no front door key. No poetry.

A young man in a backwards flat billed ball cap and shorts rested in a zero degree turning thrown leaned a little forward with his hands up like he was holding the rope, standing on water skis. The sound of it is textured bouncing between a direct arrow shot and a tree muddled echo. Never seen him before. Normally an old man in a clean red hat does that job with the absolute best riding mower money could buy in the eighties. Someone’s getting older. And everybody needs money, but not everybody has a zero point mower. The clouds are a heavy cotton backwards hat pulled low with the sun embroidered on the forehead like the logo of a sports team. The low, steady sound of the machine mirrors the buzz of bodily function and blood movement going on inside all the time. Until he clacks against quartz rock like a helicopter flying into a giant plate glass window. The day is dented. Chipped. Returns the engine, and blood starts flowing again.

How do you describe common experiences in ways that allude to their interconnection with the whole of the universe, along with some music, some fat, and salt, the good stuff, that carries the okay stuff into the cellular stuff, unblocked rotating doors and up on the forty seventh floor of the otherwise bolted closed skyscraper inside every single cellular structure. Over the blackened hearth of the microscopic fireplace that singes and smolders and captures the heat off burning calories and disseminates it throughout the house. And you don’t. You don’t describe what you hear and see with any lilt or goal or intent. You recognize. You translate. You interpret. Because the connections are already there, as real as the sources of sounds that are never seen. Air is a physical thing. Sounds are tangible as layered ripples in otherwise flat water. You’re not a poet for recognizing it. You’re honest. You’re like me. You want the rarer world.

With the fat still on it.

Time Clock #oldjournals

That’s redundant. In more ways than twelve
twenty fours which are actually fourteen forty.
Speaking truthfully now.
Innumerable. Sore wrist.
Right hand dominant.
Upper extremities bilaterally distributed.
Time teller. At the bank.
Next in line?
More time, please.
More time.

Eyes locked tight like that safe seals moments.
Beholding all of someone else’s equity. Pity.
Numbers don’t trail like I do. Hiking boots.
Mountains behind me like mountains in front.
Stomach wrung like a dishcloth.
By imbalanced arms.
Whiskered face of a mirror clock
show me how much time I’ve lost.
Tell me to go to work.

That I’m officially redundant.
That minutes and money
don’t convert.

I’m Sorry #oldjournals

Dear God, where did all the questions go.
Was eight hundred miles, two months outside, enough.
Couldn’t be. I still feel small. Proud. I argue. Too loud.
Some part of me must still be in darkness.
I thought enlightenment was different than this.

I need the confidence of my own conclusions.
I need to stop saying I’m sorry so much.
When I’m not.

I have been on the mountaintop.
And you suffer there. I tore my hair.
Broke shoe laces and cracked my own walking stick
against my own temple intentionally. God is not human.
Human value systems do not apply to God.

This is joy wrought from suffering. The pie in the sky.
Nothing to it. I took a bite out of life. Could barely chew it.

I climbed a mountain and broke a crown.
I glimpsed enlightenment.
And turned around.

The Brightest Nights

Crackling polka dotted puddles beneath droopy pale underbellied leaves.
A true mess of mixed greens. Next time we’ll label the rows. Oh well.
Sharp and lacy and either rape seed, turnip, mustard or kale.
Cat ate some the other day. Elbow tap. Look at that. A fresh kale.

It is raining again. The dogs are up. Birds are silent.
Earthworms being suffocated up out of the mud.
Flat mirrors unwink unending misshapen silver dollars.
Money doesn’t grow from trees. The older I get, the more it grows on me.

Spring leak licks down upturned leaves like the cat uses its tongue to clean
every fuzzy inch of gargantuan body. Roots exposed. Line draped in clothes.
We never got to them in time. Always fresh out.
Gray cap set snug arresting a rat’s nest of tangled green.

Time is measured by line of sight.
Rainy days are the brightest nights.

#NCspring

Chainsaw carved horizons. Trucks glug
uphill with teenagers inside them.
Broke two different lawnmowers one afternoon.
Bought a twelve pack of beer. Cheers to the lawn.
Today. For now. It won.

The robins moved on.
Black faced bloodred cardinals in seas
of newborn limegreen poplar leaves.
Hearing woodpeckers never seen
hollow knocking water filled trees.

Detached campers eaten by dandelions
and sheer
unbroken
green

North Carolina spring.

Of Fireworks and Darkness

Where comets come from. Yes. You are brighter than stars
and have a magnificent tail. But we need to know where you dwell.
You should take someone there. Until then, you’re just an omen.
Of something. Beautiful. And terrible. All by your lonesome.
You’re a volatile couple. Ashley. Americanized Cinderella.
Do I know you hate that. Do we love you for it. Honey.
I need you. More than I ever let you know.
This has all been about you.
Give some back to us.
You’re American.
You’re British.
You’re Scottish.
And gypsy.
And arrogant.
You are America.
You are the cloth high up on the mast that catches the new wind first.
Before the sails that move the ship.

You are your own direction. Respect.
Head nod. Eye contact. Embrace. Stoic faced.
As streams rain down and embers soar sparks fly
celebrate no more than more light in the sky
sulfur in the air
no care
dressed eighteen hundreds
beaming red bursts with dazzling white gold finish
disappeared

smiling in the sporadic face
of fireworks and darkness.

Southern Homes and Living

Mariachi music periodically drowned cutting tile
water dripping off a saw blade. Men moving
red orange playdough with square shovels
praying for rain so they can stop.

Two million dollar houses disowned
builders scratching claws
kneading biscuits
in soggy tree choked countryside
northeast of Charlotte.

Charity house.
Southern Home Magazine.
Rotten egg smell by the front porch from walkway lights
real popular right now with real flame lapping sparkling glass.

Moving truck creeps into clogged cul-de-sac
everyone freezes
if you have a shovel
lean on it
stare
see if this newcomer
knows how to handle
all that truck.

The Key

Do you type your poems. Tapping like a red headed woodpecker up and down a dying dogwood. Big bold bluejay looking your way. Do you keep your cat indoors. Fat squirrels upside down on red oaks that smell rotten on the inside say you do. The field rats digging tunnels into the chicken coop do too. Do you use the backspace key the way you wish you could. Do you delete lines from your poems. Do you highlight some words and hold down Ctrl and B to embolden them. Do you cut and paste your memory the way you would a page? 

A lot of moss. A lot of mushrooms as soon as it turns warm. A lot of rebel-headed, nonconforming grass: a mosh-pit sort of lawn. Been having these insatiably royal dawns: a bright, military blue, a misty, someone paid dearly for this hue. It’s death stew. One day the main course will be you. So eat up. 

Bricks that didn’t make the cut line the sidewalk, terrace the beds, raise the gardens. Block rats from eating chicken dinner. Prop up pallets and weighed down tarps and sometimes just sat, piled, and waited, freed up and unfixed in a way house bricks will never be again. Susceptible. Changeable. Ever stalked by that flashing cursor, and living feral and terrified beneath the eternally unforgivable backspace key. Locked in placelessness. 

Amphibians croak up out of the mud. Crack the earth’s crust like the eggshells they all broke. Can’t rake the leaves for the salamanders curled up underneath. Do you type poems. Do you step lightly in nature, and stomp hard on city streets. Do you rake your yard like you’re supposed to. Save your mistakes. Keep a place to keep alive all the poems you wrote you hate.

What is memory, to you. Do you still pretend it’s up to you?

Between Seasons

Gentle wind rocks the front porch swing. Metal clinks.
Ghosts chained to the roof grow restless in powder-coated bonds.
Water in three forms squat between here and the moon.
Stars laugh at how close we are to too far away.

Sounds like summer. Not yet spring. Disappointed toads.
Crawled out of the muck too soon. Can relate.
Darker than a dry dark. A sopping wet and soggy dark.
Deeply stained. Saturated. Saturday. Night.

Strange Cats

Morning birds. Belting toads. Cats I’ve never laid eyes on before.
Coming out of the woodwork. Back barn repair and expansion
and tailend of firewood season starts every garden. In my head.
Out the window the other day saw a young chicken eating another one.
Hawk picked the bones clean clean down to her shoulders.
I buried the rest of her.
Fragrant mud.
Clean pajamas.