Six Keys

I don’t create philosophy. I discover it, like keys I set down in unusual places. I recover my philosophy the moment that follows the moment it would have been most helpful. I hold my philosophy firmly in my appreciative grip, and whisper to myself, next time. I’ll be more careful. Consistent. I’d say there are six keys to my philosophy now: three vehicles, one house, one school, one classroom. How many keys are there to yours? Philosophies and promises can only be broken when you lock one and lose the key. Better yet, ever lock a key inside its own philosophy? That’s a trip, and yet it isn’t. Is it the end? Do you grab a brick, or phone a locksmith?

There is a box, a big one with many boxes and many doors and a sloping top, a relatively smaller box with big seats bolted in and pedals that power and pause, a treasure chest into which you pour your best and once or twice a month it will refill itself back up. Ask yourself, why do you have keys for some things but not for other ones? Is the desire to lock up an object a tell, perhaps? Seems risky. You can always lose a key. And if you do, you could be locking your own self out of your own much-desired treasure. And yet, the fear of losing the concrete or abstract noun protected by your philosophy has made you a jailer, and all the things you love, lay their heads down nightly in a trap. The vehicle you consider like a magic carpet that will carry you to freedom anywhere, anytime, any need or just for fun, is in fact the greatest heaviest anchor, the most penultimate inhibitor of your ability to move, like a mirage in the desert, the power to make water in your mouth, but not in the clouds.

Forever Children

Peeling pines, slicing sap, raw chicken under that, turning trees into fence posts, hands into tape, reshape sticks so they can be stuck eight feet apart along a property line older than I am. The land is the oldest member of the family. With some grandchildren pushing half a century. We could build a barn from a thinning, a clear cutting would only be the beginning of paying the bills and paving the fields that stretch pasture horizons. So I’m building fences the way Noah did his boat. Like a crazy person. Doing more work to pay into a belief than some do to pay their bills. Building to fulfill a future billing. One only I can see through the trees, which are thick and stifling, and create long winding hallways like the labyrinth planted by dead grandpa Dedalus, his one and only son couldn’t help but fly so close to the other one, forty years spent self-exiled from his own inheritance. So his wings melted. Feathers scattered. Wax splattered. 

When I got here, a Minotaur was running the farm milking swollen titans and twisting venomous serpents striped the stumps, Medusa did no chores but loved to hump, hissing valkyries laid their eggs but no one came to collect them, no one cut the grass, no one shut the gate. When I got here, the land was farmed by fate. I showed up ten years too late. Like some kind of agricultural Theseus. Still trying and almost dying to prove our selves to parents who don’t belong to us, and who we never belonged to in the first place. 

Humanity, forever children, just, children of the Gods.

The Bait

Take and plant this seed. Be patient,
soon we’ll eat. For now,
give it to darkness. Same place all else
grows rotten. And see this seed will grow.
But change is not soon stopping. With water,
sunlight, and timing, this seed soon will be vining.
Then take and eat these beans.
Months ago you held as seeds.
Think how we had nothing,
we still planted the seed.

Now deep inside yourself,
highest on the shelf,
buried in soil spelled soul.
Look hard within your self, and know.
You were once this seed. Seeds still there
inside you. The bitter and tooth-breaking.
Least sweet, and least worth tasting.

Here comes the farmer now.
One who respells soil soul.
The one who gathers seeds.
Not food or fruit, seeds alone.
Be bitter, or be sweet.
We are not judged by how we taste.
But instead by what we wasted,
because we never tasted.
Sweetness isn’t the destination.
It was only ever the bait.

Those who trespass against us

Trespassers in the woods. Trespassers in my head. My whole life I’ve been muttering how I should forgive the other ones for trespassing against me. But what does that look like in reality? Is it doormat Christianity? I am putting up bright orange sentences that start with No. I am spraying purple bands on trees. None of it is capable of keeping someone from trespassing, but the trees are sticking, and here’s hoping prosecutions do too. I was as far out on the land as can be without dabbling in a touch of trespassing myself, and there it was. The stranger. Now I’m building fence-line in my mind and setting cellular security cameras beside imaginary property lines and taking personal days to paint the pines. I don’t know why it bothers me so much. It seems to me, if you’re not using it, and someone else isn’t damaging it, what’s wrong with cutting through a backyard or two? But that isn’t how I feel. I feel more like a pill of lead and a shot of steel. I feel like cracking a walking stick I’ve carried for twenty years. I feel like taking the mental muzzle off my bite-happy dog.

I feel like my whole life there were two ways to hear the Lord’s Prayer, and like a fool, I grew up only recognizing one.

I have to forgive.
But, I must also be forgiven.

No mention of circumstances, of regrets or repentances. Just a sin and its charge. Sinner left at large. 

I don’t want to ask them to leave. Or put up more No signs. Or purple up trees. I desire to trespass against the one who trespasses against me. I’m not saying it’s a good thing. Just a feeling. I don’t want to forgive them, I want to reach them and teach them the reality of their ways. Some things can not be explained. But no. No is not the purpose of the prayer. The reality is, there are others who would witness me on this property and call me a trespasser. I may disagree, as I’m sure does anyone I catch trespassing, but that particular criteria isn’t mentioned in the prayer. Just that the only way to be forgiven for straying is to let go the nearby straying’s of others. 

And I can’t. I am not strong enough, yet.
I’m finding it very hard right now to love the strayer.
I think we all need to be cautious greeting new experiences with anger.
Yes, they trespassed, but the prayer says forgive that, because if you don’t,
you won’t ask them where they are going.

The Voice

Take away the noise. The voice. The rippled ocean in the air. So that we are all ears. So that no one can hear. Except through the soles of their feet. Don’t pray with fingers intertwined but toes touching. Take a seat. Flee the heat. Fleet week. Anarchists in sailor’s uniforms. Soldiers by day, villains on the web. Spiders say thank you for your service while thinking damn I’m glad I’m not you, and I would send you into hell to save only the shadow of myself. Silhouetted soldiers on a bumper sticker on her car. It’s just a job. No one takes you so seriously as you do. No one is supposed to. Everyone will lie to your face and deny it under torture and declare they are honest. But in earnest, they disbelieve in the existence of the thing called truth. Some philosophical fragment encountered in their youth cautioned them into chaos. If education manufactured silent spaces, simply sought to take away the noise, no one would disbelieve the concept of truth. 

Swear on the past, equivocate the present, and promises for the future suture up the time in between. But no matter where you are looking, the proof is in the pudding. Can you imagine, coming to God, the real God, the only one we’ve got, having killed, murdered, in preservation of your own survival, and in reflecting on your own story, you can’t articulate the purpose of your life, the good you’ve done, the mountains you moved, nothing. You fought a war or sent soldiers into fire to save a forest you never explored. If a villain approached you with a blade and swore to end your life and you took nothing from them but the blade, you’d go to heaven with the real God there greeting you, beer mugs in both hands. If you went out on a frozen winter night and laid down in the woods and breathed in the roaring frothing air until it made you ice on the inside, God waits at the trailhead of your next adventure holding two glasses of wine. Take the pain because the pain came from the same thing the joy did and you’ll be there with all the ones you ever loved clutching sticky flutes of champagne. 

But if you go the other way, if you commit to kill a stranger because you are afraid to die, you could not enter heaven even cradled in the arm-crib of God itself. Even if that stranger was evil. It does not matter. The act of not desperately avoiding death would save a life, no matter the consequences, makes a better story. If you kill to stay alive, you better be able to articulate why. Why you. Why life. Life is an inheritance, not a recompense. You did nothing to deserve or earn this status. Killing picks up stones in the footbed of your soul. Which accrue, and grow, to become the very anchor that keeps you from ascending to the life that follows after life. You will be trapped in your own cocoon. Never taste nectar. Die a fat, insatiable caterpillar belly full of leaves, farmers cursing your name and gifting you blame. 

You call death what nature calls change. 

You are the powerful one in this equation. 

God is a third person omniscient narrator.

A disembodied voice offering us this choice.

You be my life after death, and I’ll be yours.

The Window

could be cleaned
should
would
in another house
squeaking beneath a different hand
window-broken wall in this house
above this hand
not under it
revealing blurred movement
through a dingy window.

The light
it splashes
across the page
broken by shadows
intersecting lines
zagging dull trails
where moisture
streaked
dripped
leaves a white trail
beside white swipes
of misplaced paint
brushes missing marks by miles
in the center of the pane
shadow most solid on the page.

The window won’t ever be cleaned
yet tells more than the impenetrable tale
of a backyard. Jotted over with notes
off the nose of a dog
a strained prose on the topic
curiosity, poetry of lazy painters
paid hourly and more
fingerprints than detectives dust
proof irrefutable and close to clear
that here
this dingy window
I am closest to the world.

Just Because

Is the first cell
that splintered into fusion
following the black path of the atom
still inside me?

Like rings in a tree
are there layers laced
beneath my surface
that formed during the social drought
of my teens?

Are my last good credit score twenties
still swiping cards for bills inside me or beside me
is the kid I once was hiding
waiting
for some impossible seeker to find.

When thirty-five year old
tired and self described wise
lets eyes wander and retire
does that ring on my index finger
pierced through the brow
or the split lip of my former self
see an opportunity?

A take-over.
And thirty-five year old I
deny and declare some crack up
like I don’t know what that was
where that came from
I might even say
it wasn’t me.

Albeit was.
When I was thirteen
and mean
just because.

Oh you life

Oh you life, pompous and loud, loopy yet proud. Lightning crashing parties in heaven.
At the entrance telling lies that barrel down deep like thunder, a second too late, truth debates shaking ground from sound, flustered, rippled air. The clouds hoisted rain withheld,
dangled, above head, just out of reach, beyond, water in aerated ascended ponds
casting shade and crooked lines so thin you can see through them, translucent,
as rain rapidly sinking, the ferocious storms of real, devoted thinking, consideration. Uncompromising. Life, oh, how there are those who paint you anywhere
other than in raging weather, wind leaves trees giant rustled chickens
flashing pale upturned feathers, branches falling crashed lightning but closer, nearer,
thunder felt under feet, in ankles, before there is time to even hear.
There are those who do not know the meaning of awe.
Most feel only frightened, tired, ducking heads, cowering out of the rain,
cursing an unknown creator seed-planting our pain. Oh my life.

When I was a child, how I loved the sunny dispositions of my parents.
And vilified heir strifes. The complex truth of their lives.
The disparate realities of parents.

Oh life, like parents, your love, your presence, is one of many forms.
But it wasn’t until I was grown and worn, that I found comfort in storms.

See It Sewn

A misty eyed mystified look across twenty four young faces. Masks make you realize how it all always was in the eyes. Skepticism. Judgment. A narrow fold of scrunched justices when brows get pulled down together. A good orator sits back in the seat where they stand. Let them stew in it a bit, before easing the queasy feeling of questioning what it was they just heard. A crooked smile is like a wide-brimmed hat, one should never leave the homeplace without it. 

The love a partner hands over after forty years of marriage is the same love McDonald’s believes people have for its sandwiches. There’s no formal distinction between these two uses of this one word. I love my mother. I love Saturdays. Equitability doesn’t just raise the bottom, it lowers the top. Levels the heap. Squashes the pile flat as the earth was before we rounded down its corners.

Assigning students to produce in a room designed for them to receive. Sit quietly. That thing in your pocket that is quickly becoming your voice, it’s contraband in this space. You will use it to speak through for the rest of your life. It connects you to anyone who loves you and would fight for you no matter the stakes. Make no mistakes, your phone will save your life perhaps even from those publicly sworn to serve it. But if you glance at it during class, to check the time, no time to ask, you’ll lose it. They’ll take it. And you refuse to, they’ll send both of you home till Tuesday. 

Then this kid thinks, well I can’t go to college. This school thing is not for me. I can’t go four more years, my voice held hostage while I’m demanded to speak. Kids forming their perceptions based on tired, saggy, complaintive old people going through the motions is a recipe for the slow motion disaster being served at all our tables right now. 

I get it. School is a two bird, one stone design. Built primarily with babysitting in mind. But it is also a teacher trap, a catchall for those called to the one field government never sacked the revolution on: educating future generations. It is amazing. How far we’ve come. How drop-dead smart we are. And yet we haven’t figured out how to make a door we can close behind ourselves and once we do, no one can ever come through ever again. We can’t figure it out, because the universe is created in such a way where it can not be done. If a nation is formed of revolution, then it will be plagued by revolution until its dying day. The line stops when we find there’s a real plot to dumb down our children. I will not see mine censored into societally induced stupidity. 

A good orator is not in it for the applause. Jesus knows who rocks the boats, he doesn’t fear water, his time is set in stone. Before the end, you just want to know, there’s a touch of what was in you still out in the world, and if you don’t see it, a good orator will shell out the right words, and see it sewn.

Little Boy’s Beauty and the Beast

Why would you want a fancy prince when you already have a fearsome beast? You have the girl and the castle and servants all immortal, all entrapped within their service. What makes it a fable is the imaginary assumption anyone would try to fix the curse. Beauty and the Beast is a patriarchal vision. The whole thing starts with a kidnapping of an accidental trespasser who is then locked in a personal dungeon. Then, leveraging the old man for his young intelligent daughter. What is a redemption arc when it becomes twisted? Perhaps more of a redemption roller coaster with no resolution at the bottom, just little boys begging for another ride who will soon be carried to the car in tears for answering their parents’ fears.

Without a harrowing repentance, there can be no redemption. The greatest fiction is that a man turned beast at this point in his authentically cursed existence, is capable of innocent, consensual, passive and pacifistic love. To what gain? His cruelty to women is what birthed in him unimaginable magical power and prowess. He lives in a little boy’s paradise. In a world where our choices surrounding love will one day turn us all into monsters. Some unfortunate little girl dreams she’ll scheme to change the theme and turn the beast.

Like a Jekkyll and Hyde in reverse. Super human ability born of a curse. The tragic hero with the power to make the changes the world needs, but a slave to the sacrifices that power demands.

Beauty and the Beast could be a cautionary tale for father in laws, maybe, a fantasy for beast-taming bookworms, perhaps. But for little boys it is all about the beast. The ability to fight off wolves in the night. How those sharper claws don’t ever fully retract.

How having the power to protect also endangers the ones we love.