From the Minds of Children

I imagine the very first writers as scavengers. Hikers. Walking village to village, collecting what noises each individual, isolated collection of humans have thrown at rocks, hills, rivers, trees, seeing what sticks, forgiving what doesn’t as nothing more than babble. The idea that one great thinker sat down to put down language is absurd. That is not the way the human mind works. It is far more likely language was discovered by children. Babies even. Probably the first of us to erupt into laughter, and then, call it a giggle just after. I’d be amazed if an adult ever invented a single good word. Grown ups just name things after what they heard, the sound they make. Bark. I give that to an old person. Scrape. Cough. But not grass, not oak, not maple or throw. Little children safely insulated inside their villages gave title its title. And the rarest of humankind, the poet, made a career out of restlessness. Searching out the particular phenotype of a phrase as it evolved up and down the Euphrates. Moving on and contaminating the next group with how their neighbors call after their dogs, how they describe the blood red hearted logs that stink like shit. Red oak and red cedar and straight as an arrow Tulip poplar.

Poplar, staring into startling coals, dodging embers as they explode. Poplar. I’m sure that was popular. Right off the bat. Bat. A simple mind came up with that. But it took a genius to collect it and put it beside strings of others and carry it just as if it were as important as hard crusted bread or zucchini seeds or dried meat. Lion. Easy. Giraffe, not so much. Cat. Lizard. Leopard. Sherpa. Sauna. Stain the plate orange lasagna.

Every word is a moving target. A symptom of evolution, a flower off a creeping vine. A changing thing. Which explains all of relativity. A cold hand in less cold water does not equal the word warm. Because cold, and water, and warm, are just words. Just noises. Sounds that bubbled up from our throats and just so happened to get stuck against some unwitting, innocent object, also evolving, moving, changing.

All the quirks in existence can be explained by the little sentence printed along the base of side view mirrors on cars. Objects will appear larger in the construct of language than they ever are in the construct of reality. Because they were made that way. Like a microscope. What does it show. Truth. Indelibly. Definitely. Yes. But no. Not at all. In no way whatsoever, also. Does that make sense? That some truth can only be made clear via distortion, manipulation. The world around us must be twisted like a sopping dishrag in order to find out what it’s made of, emptied, when articulated fully. Through a little bent glass a microcosm of bacteria, cellular structure, viral culture materializes. The invisible can be made visible if you close one eye and squint the other one just right with the right amount of light aimed up through an empty space below a downturned, concentrated, scrunched up face. Point that same bulb of clear melted sand up at the stars and you’ll reach a far different conclusion. Darkness. Blankness. The dankness of empty, far off, lonely and desperate outer space. Is that true? Of course it isn’t. To see what isn’t out there more clearly a distortion of a totally different type is required, perhaps a couple bulbous lenses and a linear tube and no light at all whatsoever, and you’ll actually begin to peer into the past. Planets zoom past. Stars already dead and gone still filtering into wide open curious minds. And is that the truth, through a telescope, the other worlds that can be seen with one eye pressed into a cylinder, stared into well placed mirrors, seeing almost every single thing to forsake one’s self. Yes. And no. It is a trick and a truth. And yet, if we discounted the view, how much of our universe would we lose. The galactic framework of our marvelous blue green white marbled planet.

Language. Literature. Words. How much they have in common with low light, bent glass and mirrors. More than we would ever be comfortable with. Which is how we got ourselves into this mess. Trusting the noises that erupt up out of us more than the cavernous realms that gobble up and regurgitate them back at us.

If the words do not exist to articulate, or describe any section of this, it’s not there, it doesn’t exist. We haven’t really figured out the methods or status of the divine, so it isn’t there, we’re all atheists. Believers are worse about it than outright disbelievers. The word belief says it all. By not being the word known. Why would we not back up and readjust the microscope. How could a self respecting scientist peer down, give the knob a little twist, and not resist the conclusion they desire. The easy one. Nothing. It seems pessimistic, but nothing is the thing people hope for more than any other gift of life.

We don’t go back to the drawing board, pack the hiking pack, travel the world, asking children how they call the air we breathe, how they articulate the depth of the sea, or the fullness of space. We call it invisible. We invent words like empty. Void. Lonely. Where children paint pirate ships and abandoned train cars and alien worlds.

I like to imagine those first poets wandering the countryside, scavenging for noises, grunts, moans, taps and clicks and pounding fists and the futile, barbaric yawp of men and women and non-binary minds alike. I like to hear them unifying a thousand different sounds all around the same little bent growing trees, itchy vines, purple flowers. The same exact thing. With an entire spectrum of half names and partial titles and God’s honest gut impulsed recitals. Wheat. Corn. Cabbage. Turtles. Titans. Continents. Mountains. Clouds. Ponds. Wells. Swells. Sand dunes and rock slides and full on white death avalanches chasing what they hope to carry and are soon to bury. The strong survive to sing about it. Track down a poet, and share with them umph for umph the story of it.

Oh, to be a writer in those days prior to words. An author of sounds and noises and explosive bodily functions and the shushing of waves and how the wind sounds like rain and the scream of a bee sting and the gentle sugary buzz off honey. To have lived and walked and traveled before there were enough maps for there to be a thing called lost. Life its self was purely a prize before the invention of the word cost. Surely made up by a grown up. The word responsibility. Probably ripped off from some child running full speed and leaping across their sleeping parents screaming the word ability. Life, dripping from the lips of babes like honey, stingers still in the tips of their fingers, and an old person coming up from behind and to chastise them by putting the word be in front of it. Shape up. Be life. Belief. In endless things we ought to know.

What I wouldn’t give to be a poet back before poets. Before farmers. Before politicians. Before lawyers, and office managers, and kings. When no one had anything. What choice was there but to grow. To scavenge. To walk the countryside and listen to water babble, worse than children about making up words and schemes. Back when sleep was the same as dreams. Birds flew in clouds and stars were dancing bears and shifting soldiers and long handled cups with cracks in the bottom leaking rain. When poets wandered like water the path of least resistance, and filled their bellies every night by telling stories and filling minds. When a single word held in it an epic tale. Chasing after dogs and cats, their epic tails. Recounting every noise of every tribe as they try to describe the exact same blade of auburn colored cattail headed grass. Talk about an epic tell. The boom off the tree that fell. The infinity of a field and how that feels when it has blistered your heel and decides to hold on to your foot print, and let everyone know the way you went.

I like to think how we didn’t start telling stories until long after the world decided to keep us in its story. Story. How many blades of grass, how many different species of trees, how many you’s and me’s, are in that word, alone. How many poets did it take to settle on that word, story. And to this very day, no matter where you are, you’ll find a different definition. We’re still fast at work on a new edition, every single writer ever, wants a crack at a new expression.

But they haven’t heard. They haven’t listened. Too obsessed with ancient religion.
To remember, the best words have always been born from the minds of children.