This is a more prosaic toned poem, but chopped up in stocky, poetic lines. The work functions for me as a hybridized experience, an offspring of the overlap between fiction and poems. Ascribing a poem a personality, giving it action, physical description, played out brilliantly in this piece. “…I offered it all my money, my clothes, my car with a full tank. But the poem stared at the floor.” Not just ‘my car’ but a full tank. One can’t entice a poem out from hiding with a vehicle empty of the fuel that makes it move. The poem is a journey. It gets hungry. Tired. And then inspired, and fat and full. Greedy.
We don’t get rhyme. We don’t get flowery language. The poem really lacks in most archetypal elements of poetry except for having that exact subject as its theme. Which is in and of itself a very poetic thematic twist. A literary contrast, examining lofty, often put up on a pedestal subjects with pedantic tone of voice. The reader sits somewhere in the middle pulled in two separate directions by the same detail. “…beat me and took my money, tore the faded clothes off my back, said Shit-” This really is a poet’s poem. Haven’t we all been beat up by a piece or two of our own writing? Not that we had much to begin with anyhow, but it takes what we do have, the abusive poem likes our faded clothes and running cars and greasy hair. Prefers it, because it was needed once, worn. The shine has almost always worn off the preferred. And the poem of Larry Levis is coming for all faded things.
Almost everyone who pursues this craft can relate in one way or another to this poem. I would also feel comfortable stating that anyone who pursues intentionally creative endeavors of any kind on a daily basis can relate to the all too often overly familiar, needy, and abusive habits of the muse. Being a poet is like keeping a pet bird. It’s like sliding a sleek silver bit in the crotch of a horse’s jaw. It’s a lover you struggle to shake. In spite of both your sakes.
All of that to say what poetry is not: a thing connected to a remote control, mindless or incapable of revolution and resistance, a thing to do to pass the time. Not an object. Not a skill. Not a subject. “And the poem…Said it was going over to your place.” The ultimate mystery and power of inspiration is that it has a will of its own. And it will leave you when it wants to. And it will refuse to leave you when it wants to.